Charmskool
New Member
Back in 2013 I posted a thread of my Léon: The Professional costume and a couple years later after Halloween I meant to post this to show you all my follow up. I didn't mean for it to take so long but I eventually forgot... until now. Better late than never!
I always loved the original Gene Wilder Wonka and created a pretty darned good costume all the way back in 2000 which I wore for many a Halloween. As the years went on, I decided to hang up that costume and do some new ideas but always had it in the back of my mind to redo it "the right way".
After Léon for 2 seasons in a row, I knew it was time to revisit Wonka and fulfill my dream of making the most perfect replica of the original classic.
To begin, I already had a great top hat that was custom made for my first ensemble but had to create a new frock coat and vest. Back in 2003 I was lucky to attend a private viewing of the personal collection from Wonka producer David L. Wolper and got great reference photos. An internet search unveiled excellent recent images of the costume on display at a Comic-Con.
Now I have been lucky to work in a great place (Stan Winston Studio/Legacy Effects) with a TON of very creative artists and technicians and I was able to utilize one of my workmate's fabrication talents on my new coat and vest. Using my reference shots she patterned the coat to fit my build, which is somewhat more bulky or muscular than Wilder's was, so I have a slightly more broad shouldered look than he did, but there is nothing I can do about that! Since the film was shot in 1970 and released in 1971, the vest was a bit tougher a challenge because the original material it was made from was an embroidered textile from the late 1960's. I looked in every fabric store I could find in town but there was nothing even close so I decided to get resourceful and creative. I turned to my reference photos of the real vest and used as much as possible to Photoshop a repeating pattern and make a clean full image I could then take to a fabric printer and have it directly transferred to a large swatch. My workmate could then pattern and cut it to make my vest. A short search was all it took to find gold rose buttons that closely matched the original's. The last little touch I added to the vest was a cheat to mimic the embroidered look of the gold thread that separated the flower rows by hand painting on top of the printed gold areas with a gold metallic ink pen. Tedious, but a simple solution. Then I bought new slacks and boots to match and found a nice cane as a prop. Lastly, I got a top quality wig to complete my look.
Next step... the props. Nowadays there are many photos and references of the golden ticket and candy bar wrappers but back in 2003 I got awesome close up photos of the real ticket and was able to reproduce the graphics perfectly in Illustrator. Same with the Wonka Bar and Scrumdiddlyumptious Bar. So those were taken care of but I wanted it all so next I hand sculpted an Everlasting Gobstopper, molded it, cast up a bunch in plastic and then hand painted them as well. The last hurdle was to reproduce the Inventing Room Key. If you are a true fan of the movie you will remember that it was cleverly engineered as a double key where the bits at the end of the long shanks turned simultaneously in the same direction when Gene cranked the single bow on the back. To create this, I turned to the computer where I modeled the entire key to be as close to the same size as the film version, and engineered the cogs to turn the dual shanks at exactly the same rate. Then I 3D printed the parts, sanded them, painted them and glued the elements in place. It was tricky but it turned out pretty cool.
Sadly, Gene Wilder passed away the following year (I regret I never got to meet him) and I broke out the costume to attend a tribute screening of Willy Wonka for Gene here in Los Angeles where they encouraged attendees to dress up. The production decorated the theater with Chocolate Factory props hired little people actors to be Oompa-Loomas and of course a man to be Wonka. Sadly for him, I was there to put his get-up to shame.
Photos are below.
I hope you like my costume and description of its creation. Have a Scrumdiddlyumptious day!
I always loved the original Gene Wilder Wonka and created a pretty darned good costume all the way back in 2000 which I wore for many a Halloween. As the years went on, I decided to hang up that costume and do some new ideas but always had it in the back of my mind to redo it "the right way".
After Léon for 2 seasons in a row, I knew it was time to revisit Wonka and fulfill my dream of making the most perfect replica of the original classic.
To begin, I already had a great top hat that was custom made for my first ensemble but had to create a new frock coat and vest. Back in 2003 I was lucky to attend a private viewing of the personal collection from Wonka producer David L. Wolper and got great reference photos. An internet search unveiled excellent recent images of the costume on display at a Comic-Con.
Now I have been lucky to work in a great place (Stan Winston Studio/Legacy Effects) with a TON of very creative artists and technicians and I was able to utilize one of my workmate's fabrication talents on my new coat and vest. Using my reference shots she patterned the coat to fit my build, which is somewhat more bulky or muscular than Wilder's was, so I have a slightly more broad shouldered look than he did, but there is nothing I can do about that! Since the film was shot in 1970 and released in 1971, the vest was a bit tougher a challenge because the original material it was made from was an embroidered textile from the late 1960's. I looked in every fabric store I could find in town but there was nothing even close so I decided to get resourceful and creative. I turned to my reference photos of the real vest and used as much as possible to Photoshop a repeating pattern and make a clean full image I could then take to a fabric printer and have it directly transferred to a large swatch. My workmate could then pattern and cut it to make my vest. A short search was all it took to find gold rose buttons that closely matched the original's. The last little touch I added to the vest was a cheat to mimic the embroidered look of the gold thread that separated the flower rows by hand painting on top of the printed gold areas with a gold metallic ink pen. Tedious, but a simple solution. Then I bought new slacks and boots to match and found a nice cane as a prop. Lastly, I got a top quality wig to complete my look.
Next step... the props. Nowadays there are many photos and references of the golden ticket and candy bar wrappers but back in 2003 I got awesome close up photos of the real ticket and was able to reproduce the graphics perfectly in Illustrator. Same with the Wonka Bar and Scrumdiddlyumptious Bar. So those were taken care of but I wanted it all so next I hand sculpted an Everlasting Gobstopper, molded it, cast up a bunch in plastic and then hand painted them as well. The last hurdle was to reproduce the Inventing Room Key. If you are a true fan of the movie you will remember that it was cleverly engineered as a double key where the bits at the end of the long shanks turned simultaneously in the same direction when Gene cranked the single bow on the back. To create this, I turned to the computer where I modeled the entire key to be as close to the same size as the film version, and engineered the cogs to turn the dual shanks at exactly the same rate. Then I 3D printed the parts, sanded them, painted them and glued the elements in place. It was tricky but it turned out pretty cool.
Sadly, Gene Wilder passed away the following year (I regret I never got to meet him) and I broke out the costume to attend a tribute screening of Willy Wonka for Gene here in Los Angeles where they encouraged attendees to dress up. The production decorated the theater with Chocolate Factory props hired little people actors to be Oompa-Loomas and of course a man to be Wonka. Sadly for him, I was there to put his get-up to shame.
I hope you like my costume and description of its creation. Have a Scrumdiddlyumptious day!
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