I was surprised to find Midichlorians referred to by name going as far back as 1977.
In the hardcover "Making of Star Wars" book there is a section of bonus content including a series of interviews George Lucas gave to flesh out the Star Wars galaxy for licensees such as Marvel.
In a brief segment titled "The Force" he refers to force sensitive creatures "...having more midi-chlorians in their cells."
I, like everyone else, was under the impression they were merely a device dreamed up for the prequels, but apparently not. It also described the fall of The Republic in much the same way we saw in the prequels; indeed it was in the prologue to the novelization from 1976.
While it is clear (not least due to how the interviews described Vader's rolein the downfall of the Jedi) that much of the detail for the back story was made up later, it is also clear that the broad context for the prequels existed from the beginning.
Here's the thing. What Lucas had in his brain or on his notepad is irrelevant except insofar as it relates to the "Myth" that surrounds Lucas and the notion that he had literally every detail intricately planned and connected vs. the notion that he made stuff up on the fly and then BSed about it by saying "I always intended blah blah blah."
NARRATIVELY speaking, the fact that the AUDIENCE had no knowledge of Lucas' internal monologue or access to his notepad means that Midichlorians -- whether discussed in licensing "bibles" or whathaveyou as far back as 1903, means that the AUDIENCE ends up confused when they have to compare Yoda's speech to Luke about "luminous beings" and Obi's speech to Luke about "an energy field" to Qui-Gon's explanation of high cell counts and whatnot. The explanation given in the OT was pseudo-mystical. The explanation given in the PT is pseudo-biological. While you CAN tapdance it away and mesh the two by saying they aren't necessarily mutually exclusive, if you're a writer and you pull that stuff, it pretty much shows that you aren't thinking about what your AUDIENCE knows, but rather about what YOU know of the universe. You haven't established for the audience that the one explanation has anything to do with the other. Only YOU, the author, know that. The rest of us are in the dark, so it comes across as changing horses mid-stream. From a storytelling perspective, I see it as just plain sloppy or utterly self-absorbed. Either you are only writing this for yourself (in which case, I suppose it makes perfect sense) or you're failing to properly write it for your audience and requiring them to do a lot of after-the-fact-explaining-away of inconsistencies you've now created. Of course, Star Wars fans will gladly do this, but I view it as sloppy writing that they're required to do so.
True, but the backstory for anakin's fall was 'he fell to the dark side', and not a whole lot more than that. The lead up to the 'fall' in the PT was, well, bad (and that's being nice). Just a LITTLE tweaking makes it much easier to believe and probably come across much better. DON'T make him a whiny jerk from the second AOTC begins. You can make maybe struggle with emotion a bit. Instead of making Padme out to be 'just a womb', you can make it that she's pregnant before he kills off the Tuskens, then after he kills them and confesses to her, she's leaves him. That can be a device to get him headed in a bad direction and then the emperor just gives him the last little push. They way it was done was simply not good or believable, really.
I agree with the thread title. Put shaw back at the end of Jedi. Luke looks at the ghosts and is supposed to know the 3rd old guy is his dad. When hayden appears you expect luke to say 'who's the 15 year old kid?' and not recognize him as his father.
Anakin's motivations are actually pretty consistent throughout the PT. After considering it, I think Lucas actually did a bang-up job of depicting Anakin as, essentially, a really screwed up 9-year-old who never grew up emotionally, but became WAY more powerful. He never learned to deal with loss, either by shutting down his emotions completely (a la the Jedi order) or learning to roll with them and process them (a more balanced approach), and instead simply indulges in them without regard for their impact beyond him (a la the Sith of the films).
Now, personally, I think that's an uninteresting set of motivations for Anakin, or at least not at all what I'd choose to do if I were writing the story, but it DOES hold together well in terms of telling THAT story. When Anakin finally embraces evil, it's not because his fundamental core self has changed -- rather its' because his core self never DID change in the sense of growing up. Thus, when he "falls" it's less of a true fall from grace, and more of a waste of what once was innocent and understandable (IE: a lonely, scared 9-year-old) and now has become twisted (IE: an emotionally unstable, psychotic 20-something with the power of a demi-god).
It's one of the things I think the Prequels do remarkably well, just not something I particularly ENJOY as a story. But credit where credit's due.
To me it's simple enough...
When OWK died as a "Good" Jedi, it was as Alec Guiness' character...
When Yoda died, it was as a "Good" Jedi master...
There was no need to change them.
When Anakin was still a "Good" Jedi, he was til that time portrayed by Hayden; He died as a young Jedi on Musafar as Darth Vader, but was still Anakin portrayed by Hayden before he turned.... So, to me the new end of ROTJ makes perfect sense... Each character died at the height of their Jedi goodness...
While Sebastian Shaw represented the "born again" Anakin, he was not the "Good" Anakin that Died as a Jedi...
Eh, I still see this as a cop-out answer. Lucas has explained his decision: he wanted to VISUALLY tie the prequels more with the OT. Visually speaking, the decision therefore makes perfect sense. Narratively, it's another one of those jarring "We'll have to tapdance out of this one" situations. Is the end of ROTJ the redemption of Anakin, or not? If Anakin is redeemed, then it doesn't make sense to show him as he was just before he "fell from grace." Rather, it makes sense to show him as he was when he was redeemed, to wit: old. But as I said, I don't think Lucas cared about the narrative issues. I think he was more focused on the visuals.
I suppose there's a case to be made where if the prequels are now "Anakin's story" (which I see as a revisionist load of crap), or at least if you're concerned that kids watching the films will now be more focused ON Anakin, then it will probably make sense to THEM that, oh, ok, now he's good again and seeing Hayden as a blue glowie proves it. But that ignores the fact that LUKE is the protagonist of the OT, not Anakin. Not only that, but Luke is the primary focal character in the OT, not Anakin/Vader.
Regardless, as I said, I think it's all about the visuals. End of discussion, really.
It would be interesting to see what a fan could do to make a trilogy of prequels. Base it around what was established in the OT, and tell the stories as a trilogy similar TO the OT; beginning (obi and anakin fighting side by side in the clone wars, under Bail Organa), darker middle (vader hunting and killing jedi), and the good side overcoming for the third act (of course with yoda and ben exiling themselves after the inevitable battle between Obi and Vader. A lot less focus on the Emperor...he could be a sinister puppet master, not such a central character.
The Jedi could be more like "defenders of the peace" as opposed to this central council, artoo and threepio could likely be left out (Obi Doesn't remember ever "owning a droid", and of course Anakin could be more of the brother to Ben than the apprentice (as mentioned earlier).
I'd suggest the Clone Wars could be more of an actual war, perhaps clones vs Mandalorians. No need for Fett or silly unbelievable co-incidences. Slower more believable saber battles with HEAVY sabers, and the occasional force power used only by the best of the best. The battle in Empire had the most impact for me, and it was not nearly as over the top as the PT battles.
And of course bring back the grit of the OT. Sure things in the PT were SLIGHTLY newer, but it still should feel like a lived in universe. Maybe a lot of the R2 units could be new looking, but older versions could still be around etc etc.
Ah just a morning ramble.
At one point I tried coming up with an "alternate" story that basically had AOTC as Part 1, a new Part 2 that depicts the war and shows Anakin realizing that sometimes might is the only way towards right and that horrible things must be done to protect the greater number of people, and which sees him lose friends and become determined not to let another civil war happen -- by any means necessary. Part 3, war's over, but now Anakin is paranoid about trying to prevent future civil wars and such, and thinks the Jedi are wussies who won't throw down when necessary, and that the Dark Side isn't so bad if you can control it. Palpatine institutes the empire, blah blah blah.
But the thing is, I realized that there was SO much going on that -- plot-wise -- goes wrong with the PT, that you'd really have to scrap it altogether and start over. Personally, I've never liked the fact that Palpatine appears to plan literally every step and that it all works out even from like 30 years from his "Start-up date" for the Empire. The clone army vs. droid army and the conspiracy about creating clones when there were no clones but when were the clones ordered and blah blah blah just seemed contrived and backed-into. Like, we needed clones but someone pointed out that hey, where would they have all come from, and so now we need to make a conspiracy that the good-guy-clones are created by the bad-guy leader as part of his master (and super-convoluted) plan to take over the galaxy.
I always thought you could've shown the clones differently -- IE: instead of it being "Clones vs. droids," you have the clones and droids mixed among various armies on the two sides, alongside regular sentients, and they simply represented a cheap way to "mass produce" troops for the war, which in turn made the scale of the war totally devastating. That or the clones were a labor force that rebelled and THEY used droids to amplify their forces or whathaveyou. I dunno. It all starts getting more convoluted than I care to think about.
I also always thought you NEEDED to show the horror of the Clone Wars to emphasize why Anakin -- a supposedly genuinely good man -- goes bad. It made more sense to me that Anakin would only do this out of (A) arrogance (believing that he could resist temptation but still use Dark Side power), and (B) out of good motives but willingness to do terrible things. To me, that's the far more important element that was missing from the PT, rather than juggling all the balls about how and where the clones, war droids, and sith fit into the equation.
Palpatine's rise to power is basically just Hitler's rise to power, so I'd see that happening less DURING the war, and more as a RESULT of the war. You could maybe make the original Stormtroopers clones, but have that be based on the Empire seizing all clone technology for itself so as to "Safeguard" the public and whatnot. I'd have made Palpatine less of a master chess player, and more of a cunning opportunist who had secretly harbored his goals for ages, but just laid low.
But whatever. What's done is done. If I want to tell a better story, I'll tell my own story (which of course would be influenced by Star Wars, given my age).