'Temple of Doom' was considered a mixed bag when it came out.
I think it would go over a whole notch worse if it came out today. Many reasons.
Temple of Doom is still a mixed bag today, I'd say. It was always the most uneven of the original trilogy. Extremely dark and cruel at moments, and then whipsawing into slapstick and screwball comedy. It's a great pastiche of film styles from that same era, though. I'll say that.
And yeah, there are some DEEPLY problematic aspects to it which, again, are reflective of the time in which those types of stories were first being told...which were not great. I could get into it more, but you know what I'm talking about anyway. I'm fine with that stuff not flying today. I'm also ok to watch the film, albeit with a critical more modern eye at points, and recognize that time marches on.
When Indy ends up just as much of a coward as Luke ended up, it's no wonder fans are disillusioned about their favorite heroes. It's not much to ask that these legacies are treated with dignity which they aren't. Its just the popular trend to make every protagonist either some obnoxiously snarky smart ass or some cynical, bitter loser who gets upstaged by some unlikable younger newcomer. Not a smart formula and not an entertaining story.
Then people should learn to stop asking "And then what happened?!"
If you don't want to see your heroes ravaged by time, then stop doing legacy sequels. Because time ravages us all. It's inevitable. Death and taxes, man.
In seriousness, though, people need to learn to be satisfied with
endings. There's a reason fairy tales end with "And they lived happily ever after." Because nobody wants to hear about how Prince Charming and Cinderella later had marital problems because their relationship was based entirely on surface level interaction from one night of dancing, and they had no real foundation upon which to build. And nobody wants to hear about how, after slaying the giant and getting lots of riches, Jack's farm was attacked by brigands and burned to the ground, leaving Jack a pauper. And so on and so forth.
As long as we continue to tell stories about these heroes of yore, they are going to need too have conflicts in them that carry some weight -- in other words,
drama. You can't have drama without meaningful conflict, and you can't have meaningful conflict if the heroes can just say "Pshaw" and brush past it.
And you can't go home again.
I’ll see a lot of things, just because ya never know! I watched Andor even though I HATED Rogue One… and thank god - best Star Wars since the OT.
There’s no telling what the right writer and director (and a team that just happens to fire on all cylinders right down to Final Cut) can pull off…
I agree that the problems with films that people don't like are often not down to "Oh, the writers were crap." Or "The producer had an agenda." And my bet is that people here don't understand how the creative side of the business has been infiltrated by the "suits" who want more and more creative control, and who are probably the biggest problem to actually telling a good story.
Mangold makes great stuff. Waller Bridge was in two great shows… Harrison is Harrison. Why wouldn’t someone want to see it? Cuz a guy with a toilet on his head “heard” (made up) a rumor?
For me, it's mostly just...I dunno...I'm good, man. I don't need more. I don't need to feel disappointed or frustrated that the film didn't give me what I wanted. And honestly, I guess I just don't
want more. I know I can't get back to, like, 1989 or whatever. That time has passed. And I'm ok with that.
I'd rather see new stories anyway.