That's it. No more waiting around. The memory of watching "A View to a Kill" is almost gone, so I'm going to strike it while it's still warm.
This movie. This.... movie... The only reason why this movie even exists is that they had a plan for a new Bond actor for a new Bond movie, and two months before they were ready to start filming, it all came to a complete stop. United Artist wanted the movie asap with no delays, so the production team decided to start form scratch. They resorted to hiring Roger Moore again even though he was done two movies ago, and went with a story line that lifts many elements from Goldfinger. It was a film no one was enthusiastic about making, and no one was putting any effort into making it.
The most painful example at how this movie showcased no effort in the writing department was the movie's villain Zorin. He's like this literal interpretation of an over the top bad guy without any unique qualities. It's amazing how Zorin is able to come up with so much planning yet still act like the most incompetent villain in the franchise's history. I'd like to think that the whole horse racing scene was where the real "Just shoot him!" comedy routine came from, because everything that Zorin does in trying to kill Bond in this race is just mind bogglingly stupid.
To make matters worse, the writers thought they needed to make Zorin even more evil by having a scene in the mine where he simply guns down every single mine worker with a machine gun.... for no freaking reason. It's so gratuitous and so unsettling that it destroys what ever fun you could have had in the last act. You could splice in audio from the final shootout in Scarface into this scene and you wouldn't need to change much.
Speaking of unsettling, let's most on to Mayday.... You know what? Let's MOVE ON from Mayday.
In regards to Roger Moore's age? Yeah, he's way too old for Bond, but I don't really care. Old guys playing the good guys in action movies I'm ok with. The film probably could have worked better if the story reflected some of his age a bit better. Unfortunately, this movie is written like Bond is in his absolute prime, with his ski boarding in the teaser and hooking up with not one, not two, but FOUR WOMEN throughout the course of the film. Bond was never that lucky in the previous movies. One element I liked in Octopussy was how the main Bond Girl was played by Maud Adams, an actress who I thought was at the right age for the part when starring opposite Roger Moore. Not the case with AVTAK when they casted Tanya Roberts for the role. She may be 10 years younger than Maud Adams, but her voice and size makes her appear a lot younger. And Roger Moore was kind to point out in his own commentary that he needed to stop playing Bond after finding out he was actually older than Tanya's mother.
There are only three things about A View to a Kill that I can safely say was actually enjoyable.
1. John Barry's score. He can make even the worst Bond movies sound like works of art. The fight on the San Francisco bridge is a highlight.
2. Patrick Macnee. If not for his fun to watch performance, I would not have watched this film again.
3.
THIS. Seriously, this is brilliant.