Egon Spengler
Master Member
Good. Let's hope it doesn't have to come down to all this nonsense every other time they want him in the MCU though.
I really hope they won't have to wrap it up that way but I wouldn't blame them if they did if a long term agreement isn't reached.Interesting. Guess he's not going to be heading the avengers.
Back for one more MCU Spiderman solo movie and one undetermined appearance...
Worst case is the proper people can wrap everything up with him on their own terms.
Well it's settled for me. If Spider-man isn't in the MCU I have no interest in following further stories with just a SONY Universe. If they continue to have him involved in the MCU, cool. I'm glad they are doing that currently, but if they ease him out, I'm done with him once he's out.I think both parties are just easing Spider-Man's exit from the MCU to minimize damage to both franchises. They need to close the cliffhanger at the end of Far From Home and MCU has to rewrite a lot of the setup for their crossovers. A two picture deal gives both Sony and Marvel the space to patch up their respective universes and, especially with Sony, to make a play to regain some trust from the fandom.
I wonder if we will ever see Norman/Harry Osborn
I agree. A Spider-Man TV series would work well for the points you stated and also if a) they maintain a high production value (including star powered actors) and b) episodes don't get bogged down with a lot of filler like so many modern shows (which is why I still prefer movies myself). And I would take a comic book approach to the storytelling. Instead of season long arcs (again, another reason why I prefer movies), tell more "one and done" stories. You can still have a longform overarching story (like the MCU), but keep shorter stories contained to 1-3 episodes.Or finally introduce the hobgoblin instead of the green goblin.
Personally I would pay money to see a tv series of spider-man / Iron Man / Avengers rather than movies.Benefits in there for the suits as well:
-start out with a pilot and see how it's received.Cheaper than a movie.
-start at the beginning and go slow; take the time to develop the storyline
-villains don't have to die or disappear after 2,5 / 3 hours
-story doesn't need to be limited to and crammed into 3 hours.
-gradual build up of villain alliances such as the Sinister Six and Deadly foes of Spider-man (Limited series at the time)
And so on
I recall Sony saying something to the effect that they have learned the secrets of building a universe from their experience working with Feige. If anything, that just tells me they still don't get it. It's not a formula. It starts by being invested as a deep fan, as Feige is. A fan with experiene, networking skills, an eye for talent, the ruthless will to get it done and executive force to make it happen is something that simply doesn't exist at Sony. It's not a formula.