Re: Camile Paglia on ROTS: "most significant work of art in any genre...[in 30 years]
Perhaps I missed something, but I don't recall her comparing it to anything. She said it was
the most significant work of art (in 30 years).
'
Significant' does not equate "better than"
I highlighted something in your description of her statement, just for the sake of clarity.
Saying "Revenge of the Sith is artistically significant" would, indeed, not equate to "better than."
Saying "Revenge of the Sith is THE MOST significant work of art in 30 years", however, does. Or at least it says that it is more significant than any other artistic work out there.
That's rather an important distinction, and is the basis of my issue with Paglia's statement. It's also why the analogy to a movie critic offering a review of a single film fails. Significant != most significant.
nor does it mean a comparison to anything.
Correct again, assuming we're talking about the term "significant" alone. "Most significant," however is absolutely a comparison.
You are right, however, at least in terms of what I've seen and read from her on this issue, that Paglia does not draw comparisons between ROTS and other works within the last 30 years, to describe why it is
the most significant work of art. Nor does she compare Lucas to other filmmakers or artists in any other medium in the piece I cited to describe why Lucas is
the most important artist of our time. She talks about why he's important. She doesn't talk about why he's
the most important.
'Most powerful' - well, that would depend on how she applies significant and what powerful means to her...
Which, again, from what I saw and read, she doesn't really do. She alludes to it, but she doesn't come out and say "Powerful works are works which do XYZ. Important artists are artists who do ABC. Significant works are works which accomplish QRS."
Why is Paglia's word as a critic held to more critique than others?
Because she invites critique.
She claims to be an expert on a subject, and then makes statements which are controversial at the least, and then doesn't back them up with any kind of academic or expert rigor.
We're supposed to take her word for it because she's an expert, yet she does nothing to demonstrate her expertise. In fact, her statements cut against such expertise.
Look, if I said "I'm an expert on history" and then said something like "The Black Death was one of the most economically significant events in history," that's not really much of a reach. It's not really all that controversial a statement. I still haven't demonstrated my historical acumen, of course, but it's less in question when I make a statement like that. If, on the other hand, I say "The invention of Silly Putty was the single most important economic event of the last century," well, I'm inviting both criticism of my point, and -- particularly if I fail to support my statement on why Silly Putty was THE MOST important economic event -- I invite a challenge to my very expertise.
Paglia makes a controversial claim, backed by purported expertise, but then does nothing to bolster her position -- again, based on what I've read, which is what I linked to. I freely admit that I haven't' read her book in its entirety, the chapter in its entirety, or even -- as you have -- the chapter in any brief fashion. Maybe she does better in the book. She doesn't do better in the article I cited.
She stated her case and now you want more because you have a hard to time understanding or comprehending her opinion?
No.
She stated her opinion, presented it as an expert opinion, and then offered nothing in support of the opinion. Everything I saw in the article to which I linked was her saying how "good" Lucas was. Nothing was said to compare him to other artists of our time to explain why he is
the most important.
You say you've read her book or at least the piece on ROTS, and I have no reason to doubt you. I've asked you a few times now whether the linked piece is the same as her book. You haven't said one way or the other.
If it's the same piece, then my opinion of her work stands. If it's a different piece, then perhaps what she says in the book is better supported. I might still disagree with her, but at least she'd be backing up what she says with something, which is marginally better than simply stating an opinion boldly.
That said, if the piece in her book mirrors the same style of argumentation as the piece to which I linked...then she's really not making her case at all, but still claims to be an expert to whom people should pay attention.
I'm saying the emperor has no clothes. (Although perhaps "no force" would be more appropriate here.)
Read the book, understand her words - don't just attack because 'George Lucas raped your childhood' or you don't like something he did.
If that's what you think is behind my criticism of her, well, you're dead wrong. You're free to make that assumption if you like, but it's still wrong.